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MU Recommended Live Rates

The Musicians Union

Last updated: May 2026

Musicians Union recommended live rates (updated 1st May 2026) – rates per musician

  • Casual engagements for groups performing in pubs/clubs for up to 3 hours: £167.16
  • Casual engagements for groups performing at functions of up to 4 hours: £222.88
  • Overtime: hourly rate of £55.72 payable at time and a half, therefore £83.58 per hour (or part thereof)
  • Setting up time: The engagement is payable at the hourly rate from whatever time the musician is required to have his/her instruments and equipment set up.

This is taken from the Musicians Union Website:

Musicians Union National Gig Rates table showing recommended fees

If musicians can agree on anything, it’s that no-one should perform for free but typically there’s always a musician out there who will perform for cheaper. Considering this how much should professional and aspiring professional musicians charge and how should they negotiate their desired fee?

Negotiate, don’t just accept the first fee

It’s sensible to rebuff a suggested fee, musicians should never settle for an asking price. By proposing a higher fee than the one originally offered it’s likely that musicians will be able to settle on a reasonable fee that will suit their needs.

Considering this, Last Minute Musician Jonathan Scott says,

Estimating what punters will pay is a dark art. You have to work that out then go slightly under so they think they’ve got a bargain. When it comes down to it, especially in hard times, it’s better to do a lot of cheaper (not cheap) gigs than not many well paid ones.

Jonathan Scott

It is, of course, worth mentioning that if a musician demands too high a fee then it is likely to be rejected. Fees should be fair on both sides, after all a bar/club has to pay its own overheads.

The amount charged for a performance should reflect:

  • Musicians qualifications and experience
  • Duration of performance
  • The distance travelled to the gig
  • The size of the band

Have a standard rate and stick to it

Unless the gig offered is for charity, it is recommended by the MU that gig rates should not waiver. A standard rate should take all costs into account, enabling the musician to earn a fair amount for their work. 

It is also very important that musicians get all agreed payments in writing ideally, signed by both parties. This will avoid confusion at the end of a gig when receiving the fee from the promoter. This is not uncommon and some rogue promoters may attempt to deceive musicians into being paid a smaller fee.

Last Minute Musicians Director of Music, Sarah-Jane Morris says

So often the client doesn’t read the price guide or genuinely doesn’t understand that this is our job that we have studied for years to accomplish. I always stick to the prices that our artists have given us.

Sarah-Jane Morris

Ensure that all expenses are covered in the fee

It is only fair that musicians should not have to pay to travel to a gig. Along with added money for travel, it is often the case – although not mandatory –  that musicians are given free soft drinks and a hot meal.

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The musicians point of view

Amidst arguments from some musicians claiming that amateur hobbyists are taking money away from professionals, many musicians throughout the UK will still perform for lesser fees – regardless of MU recommended fees.

Musician Kit Packham said on the Last Minute Musicians Facebook page, “The Union was founded as a protection Union. One that protects us from unscrupulous employers and protect us from ourselves.

The gist of the MU’s advice is still ‘don’t sell yourself cheap’ but when the market’s flooded it’s not easy to compete – even when your ‘product’ is top quality.”

It seems as though everyone has a theory on how to improve a musician’s rate of pay, including rather extreme plans to boycott music venues that do not pay a fair fee. One theory that seems to hold a certain amount of promise is the education of hobbyists as to how their actions are affecting self employed working musicians.

Considering that many ‘weekend warriors’ and hobbyists earn their living in another profession, they are happy to play for a lower fee and it is natural that, within the cut-throat capitalist market, a music venue is going to try and get their entertainment at the lowest cost possible.

Frequently asked questions about musician rates

How much should I charge per hour as a musician?

The Musicians Union recommends a minimum hourly overtime rate of £55.72, which gives a useful baseline. However, many working musicians in the UK charge between £40 and £150 per hour depending on their experience, genre, location, and the type of event. A solo acoustic act might charge £80–£150 for a two-hour set at a pub, while session musicians can command higher rates for studio work.

How much should I charge for a 3 hour gig?

According to the MU’s recommended live rates, a musician performing a casual engagement at a pub or club for up to 3 hours should charge at least £167.16. For functions and private events, the recommended minimum for up to 4 hours is £222.88. These are per-musician rates, so a four-piece band should be charging at least four times this amount.

How much do pub gigs pay in the UK?

Pub gigs in the UK typically pay between £100 and £300 for a 2–3 hour set, though this varies significantly. Smaller venues may offer £40–£100, while established cover bands playing popular weekend slots can earn £350–£500. The MU recommends a minimum of £167.16 per musician for up to 3 hours, but in practice many pubs pay below this threshold – which is why it’s important for musicians to negotiate and know their worth.

Useful free tools from Last Minute Musicians

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More tools from Last Minute Musicians.

Related article: Musicians wages – the great debate

Do you provide a musical service? What do you think about the recommended minimum rates? Let us know in the comments below!

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9 comments
  1. Guitardaddy1April 14, 2015
    The Musician's Union is a joke and always has been. If you want to talk yourself out of a gig or more importantly a recording session, say you need to charge MU rates and you will never be asked again to play at the venue or with the artist at the recording session.
  2. 67hiwattApril 15, 2015
    The problem is not the MU, it is the musicians that work cheap because it isn't their only job. Or they are basically hobbyists but won't admit it. The old adage is true that you get what you pay for and when pubs are able to pay £120 for a whole band of hobbyists to play the whole night then pro or semi-pro musicians haven't got a hope of getting MU rates (or even close to them). The fear of not getting the booking should not mean we under sell ourselves. The MU used to matter more when basically you couldn't get your record played or appear on TV or perform in theatres if you weren't in the MU. Sadly this required other unions to boycott production companies, programmes, venues or promoters if they used 'blackleg' workers. It depends on your politics how you see this argument but I tend towards making every musician and venue MU compliant to benefit all musicians whether they are playing a pub gig once every three months or gigging several times a week with West End show.
    1. Barnaby ThwaitesApril 18, 2015
      I sympathise a lot with what you are saying 67hiwatt. However, a relative of mine was a publican for 20 years and he said they very rarely made any profit from a band playing at his pub (after paying the band). Lots of extra drinks would need serving to generate MU rates in a pub setting and a surplus for the venue. If every pub was made MU compliant then there would be very very little live music in ordinary pubs. Your point about pro or semi-pro musicians is well taken, but I fear these musicians shouldn't be looking at pubs in the first place. The "hobbyists" can be extremely good and satisfy an enthusiastic crowd. Problem is there are lots of us at all levels!
      1. Adam HughesApril 26, 2015
        Check out the stats about how venues make more profit with live music here: http://www.ukmusic.org/assets/general/MU-Live-Music-Kit.pdf
        1. Barnaby ThwaitesApril 26, 2015
          Wow, thats really interesting thanks. Will have a look at this...
  3. Barnaby ThwaitesApril 18, 2015
    Really don't think you can specify what should be paid.... you'll get paid what your are worth in the particular circumstances within which you are competing for gigs.
    1. Chrissie McCluskyMay 25, 2015
      Couldn't agree more! I have noticed singers doing gigs for £70 on here. After their fuel, pat testing insurance etc they must be working for minimum wage.
  4. Jim ToomeyJuly 24, 2015
    I am looking for work in Brisbane over the Christmass Pantomime season. Does anyone know the current rate of pay I should ask for?
  5. Doug BadgerAugust 21, 2021
    I've been a pro classical musician, based in the North of England, for over 25 years, freelancing with many of the major UK professional orchestras and ensembles, anywhere from the Albert Hall to Shanghai and everywhere in between. I have also gigged throughout my career with string quartets and other ensembles for weddings, corporate events, recitals, recordings and so forth, and often as a soloist for concerto performances or solo recordings or recitals. I have been privileged to play with some of the finest freelance musicians in the country throughout my career, delivering a consistently top-notch level of performance, commitment and professionalism to every single event I've been involved in. There are thousands of highly-trained musicians like me, all over the country. We have all trained since childhood and graduated as classically-trained musicians from top UK music conservatoires. This is not a hobby or a weekend side-earner. This is our livelihood. So what do I, and my fellow musicians, get paid? Whilst, for comparison, the average UK orchestral salary is around £30-35k, a single day's work as a group performer (2 or more players), in any capacity, will net us around £100-200 each (all inclusive). Occasionally slightly more, occasionally slightly less. Those are the going rates for every single musician I have ever encountered, for the work that we do, whether it's on the concert platform or for a wedding party. This of course is for acoustic engagements which require little or no additional equipment or setup time, and does not account for any admin work prior to engagements carried out by fixers or agents (for which they will of course charge an additional fee). This is the fee paid for a classical musician simply to turn up and play whatever is put in front of them on the day. (There is no additional fee for any home study/practise which a musician may require to learn their orchestral parts etc). I believe that this is the experience of the overwhelming majority of freelance classical musicians throughout the UK (excepting London of course).
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